This episode of Leave it To Beaver is a feature of the time it came out but also timeless in thought. In part of the idea where I feel that this show deservers the fact that it's still been running somewhere in reruns since the show ended in 1963. A big thing it does that it feels a lot of newer shows don't do is follow genuineness that makes it feel real.
"Beaver's Short Pants" is the eleventh episode of the show, of the 234 episodes. This is season 1 where Beaver was at his youngest and a show not midway (the first season is 39 episodes) . This also being one of the first season episodes it has one of those introductions by Ward (Hugh Beaumont) explaining like the main idea of the entire episode. This time he says that boys might feel their fathers are there to be mean to them and make them do stuff, but there are times they are there to be friends that's the episode.
June (Barbara Billingsley) is leaving for awhile because her sister had a baby and June is going to help out or something for a bit. What we aren't going to get here is an episode where like Beaver , Wally, and Ward are going to have to stay together and chaos ensues because that would be saved for a 1990's show or something. Instead, June's Aunt Martha will be staying over to tend to June's life. We also get from Ward's words and actions that there's a little tension with his wife's aunt but nothing that big. June doesn't want Ward to undermine Aunt Martha or do anything to "hurt her feelings" while she's there. This is a lot for the context of the episode.
In my day we didn't on tables, dear / Copyright Universal
We meet Martha who was played by Madge Kennedy, an actress who started in theater and then in the film during the very early days of film starting in 1917. She crossed over even into the talking era, also did radio shows. For "Beaver" this was her first appearance playing the "old-fashioned" aunt Martha. This is role she'd play 4 more times.
This episode does a good job of setting up some awkwardness between Ward and the boys with Aunt Martha. She talks to June about pants or trousers because she apparently wants to be English. She says teenagers it's probably over and jeans are a teen thing, she doesn't like but can't do anything about. She wants to take Beaver shopping for clothes. We can also notice that June doesn't really push back on her aunt when she politely tells the woman that she doesn't think her aunt should have to go and buy him clothes, the aunt says it's no problem and June kind of backs down.
June is now doing that leaving thing and she tells the boys that they should listen to their great-aunt and do what she says. Then explains that older people have old-fashion ideas and they forgot what it's like to be younger. Again, another episode thought set up here. She wants them to make Aunt Martha happy because that'll make her happy.
Now we are at the part with the short pants. Martha has decided to dress Beaver like it's the '90's... the 1890's, Like an upper class English from England (that England) boy with a hat, suit top with shorts, long socks and dress shoes. In the context of talking about fashion here (this blog really does everything?) it was more an old fashioned thing for boys until a certain age to wear mostly exclusively short pants until a certain, which is also another reason Maratha doesn't go after Wally. It wasn't as much as a thing done in the United States as it was more a European and heavily European influenced countries thing. Martha really likes that classic fashion and must be more well to do , as it was mentioned before she's never married, so she must have money to live in some other way (this is a 1950's show so... that's context). An American upper-class person would be more influenced by European styles. Middle and lower class boys in European countries also wore shorts to an age, but that wasn't an American thing in the same way. Martha even mentions that her brothers went that way when she was a girl in the winter and summer.
This also means that Beavery is dressed "funny" and that will provide the conflict for the episode. We can see that Beaver already doesn't like the outfit his aunt picked out. Wally thinks the outfit looks bad. He says that Beaver is lucky he doesn't have to wear it to school , but guess what? Yeah, the aunt says that Beaver should hang up his outfit and have it ready for school on Monday. (Sitcom writing goes back that far.)
The episode also makes sure that Ward can't really help Beaver out for a bit because we need the drama and he ends up having to go to school in that outfit. He tries to make sure no one can see his legs. It is interesting that he's more nervous about the shorts being seen versus the dressy stuff on top. Eventually everyone sees him and they laugh at him. Larry, his best friend, calls him a 'sissy' and this makes Beaver punch him in the stomach. A fight ensues and a teacher has to break it up. Since he's the guy who played the father on "The Patty Duke Show" (the show where Patty Duke plays two characters who are identical looking cousins) he seems to understand and let's Beaver go home in peace.
Wally shows his caring for his brother and talks to his dad and tells him what happened. Ward easily empathizes as he remembers that he had to wear long white stockings to school once. He tells Wally that don't worry, he'll take care of things. He was about to talk to her, but she gets saved by the bell of the call from June. June hears the word "egg plant" and knows that Ward or the kids - or both- don't like that but tells Ward she knows that Aunt Martha can be a lot, but the woman essentially raised her. He decides not tell Martha the issue.
The next morning, Beaver ends up having to wear the suit again and their father isn't there. (He left them , ran away!) Martha says that he left early to the office. He gets ready to leave for school and he gets a big surprise. Ward was hiding in the garage. He has some pants ready for Beaver to wear over the shorts and puts him in his normal coat and tells him to come back to the garage afterschool and change out. This is a nice moment. Ward didn't want to hurt the aunt's feelings but still wanted to help his son and found a way to do so.
A thing that can be said about almost any episode of this show is that it understood childhood or in a deeper thing, boyhood. Where Beaver, of course, has to wear an outfit that isn't something he finds comfortable or likable, but also something he knows that will get him noticed negatively in a bad way. He also is trying to do something for his mom in trying to make sure his great-aunt isn't unhappy, at the cost of his own happiness. The show is also good at the idea of adults losing their understanding of childhood and how things go. Here, it's more noted that June is very much in-tune with her family and understands them and she knows her aunt is a little much, but she needed a pinch-hitter to help her out. Ward instantly empathizes with his younger son when he finds out because he remembered something in his childhood. It does make me wonder what would have happened if Ward had seen it earlier himself, or what would have happened if June didn't call. Maratha should have kind of been made to at least understand.
It's a timeless episode in the idea where it could really be done in any time with some changes. Maybe a 2020's great-aunt making a kid dress like a 50's rich kid or something. That's really the strength of the episode is that almost anyone could empathize and understand what's going on here. Aunt Martha is also more a plot device character here, since we know June and Ward do have their own clothing standards for their kids, but not the same way the more "old-fashioned" woman would.
I do like how Wally understands too, he does his own things here that help, but he mostly is aside in the plot. Ward isn't a forcefully aggressive character so with the aunt he is kind of unwilling to say anything even more with his wife wanting him to be understanding, but it can be kind of annoying to view that he should be the final word on his children. The only real reason that part of the plot works. The episode really needed Maratha to work in somehow, because the parents' characterization wouldn't have done that to Beaver and... the only reason it wasn't both parents going somewhere and leaving the kids with Martha is because they needed Ward to do what he did there. That is a weak spot.
The episode is good and even feels timeless in message in a few ways. That's it for now, tune in next time when kids laugh at you , yes you, for wearing shorts, then go back to watching so weird stuff on Youtube but you still feel funny because random children just laughed at you for no reason.