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Thursday, March 06, 2025
Those PSA's (not episodes) : Floss with Charlie Brown
Monday, February 03, 2025
Peanuts: The Charlie Brown and Snoopy Show
"It's totally ridiculous, has no meaning, is simply confusing — and has no dignity. I think my humor has dignity."
So it also would seem anything that wasn't directly the comics or marketing used Charlie Brown as the title in some form. Charlie Brown and Snoopy being the most well known names makes sense to call the show that too, versus "The Peanuts Show". [ The UK name for the Peanuts Movie is the better name , though Charlie Brown's name should have been first]
Back to the show itself, it's the only animated series done by Bill Melendez. I do wish we had more Melendez animated works, personally, I like his style and would have loved to see more characters beyond Peanuts done in his style. [ I know he worked on non Peanuts specials too].
Also like Peanuts specials, the voices for the characters were done by actual human children. Brad Kesten was the voice of Charlie Brown in season 1, his first Charlie Brown role was in "Is This Goodbye, Charlie Brown" (1983), but would be replaced by Brett Johnson in season 2, because voices. Sally's voice actress was swapped from season 1 and 2 as well. Peppermint Patty was voiced by girls in this series, as opposed to boys who normally did her voice. Victoria Vargas also co-voiced P.P in "What Have We Learned, Charlie Brown" (1983). This was to make sure it had that Peanuts feel to be consistent.
In terms of characters, which on one hand does feel silly to write, but stick with me. There is an interesting mixture of characters in the show. Characters, that by this point, had been "dead" in the comics do show up here. Shermy, who had really didn't show up any more strips after 1969 is here. Frieda, who was waning in usage by this point because Schulz really couldn't figure out what to do with her. Patty (the non Peppermint one) who was cut back on, but seemingly lasted as a background for a long time. Funny enough, Violet, doesn't show up. There's a the more, at the time, recent characters of Truffles who didn't appear in the strip since a storyline in 1977, and Eudora was introduced in 1978 and would be gone by 1988. Rerun is featured here, this is before his big revival in the 90's and after he was kind of pushed back, because Schulz didn't know what do with him but couldn't kill him off fully. Otherwise, the characters are the key players that last through the strips.
I wish I could say more about the show in a direct way like about plots and stories, but this doesn't have that as much it's a mixture of shorts stuck together. They even did the this earlier the same year this series came out with the special "It's an Adventure, Charlie Brown". This is a series for if you like Peanuts it will please you. It's not big or doing big interesting stories. Of course, another factor is that new specials were still being made.
The enjoyable thing is seeing Peanuts characters doing stuff. It's also nicely animated and near special quality in terms of animation. The music is also befitting a Peanuts piece of media. It also calmer than other Saturday Morning affairs. The theme song also simple a piano piece composed by Desiree Goyette and Ed Bogas. That was for the first season, they or the network or someone must have thought it wasn't energetic enough and they went for more an upbeat version of the theme with lyrics. The music piece of "Let's have a Party" was used on the soundtrack of "Flash Beagle" and then an edited version was used for the 2nd season of this show.
The series aired on CBS in that prime slot for a bit, but it seems it didn't catch what CBS thought it would do. They moved to the quieter and earlier slot of after Captain Kangaroo and on against reruns of The Flintstones and whatever ABC was doing. It seems Alvin and the Chipmunks had more juice in it (it did run longer) and maybe because NBC had the Smurfs the audience just stuck around for Alvin. It probably would have made more sense to run it after "Dungeons and Dragons" and not after a cartoon based on "The Dukes of Hazzard".
Then again, this is Peanuts, so shouldn't have done better just by the fact it's Peanuts. You would think that Peanuts would have done really well in the space. The specials were still, at this time, doing well in ratings enough where again CBS had 3 run in the same year as the premiere of this show. Does the format hurt the show? That's hard question to answer. Alot of cartoons around this time were either full 22 minute stories or were shorts combined together, and rare but existing 11 minute 2 halves affair that were starting to gain more and more later on. This show really fits in with the contemporary feel of cartoons at the time.
You also might look at the year it came out and wonder wow, 1983, that's 33 years after Peanuts first came out, the first special was out in 1965- 15 years into the strip's history. If anything, Schulz was protective over his property as much as he could be. Any interest anyone would have in making a Peanuts TV show would have to follow what he wanted and he wanted people, including himself, he could trust to bring it. The other thing is he felt the strips should be the direct source instead of an original set of stories, though Schulz did insert some extra stuff too. But did it come out too late to have the same impact versus being the 1970's, for example?
I, myself, don't know. There's nothing really wrong with the series, it does what you'd expect. Maybe played it too safe by just using the comic strips as a main basis and not doing television-exclusive stories, but even some specials were using the strips. It might be because it was on CBS Saturday Morning which seemed to be losing to NBC, but at least beating ABC? The show wasn't on the line up in the 1984-85 season, but returned for a second season in 1985 and was put in the slot that's pretty much not even Saturday Morning in the Eastern time zone, and a slot where sports might take it out in the west coast. That season was really 5 more episodes. They also seemed to trim down the shorts to just 3 shorts per episode. Then the show was over.
The Charlie Brown and Snoopy Show wasn't the only Peanuts series made whilst Schulz was alive. The mini-series "This is America, Charlie Brown" came out in 1988 running various specials on American history. Peanuts, of course, didn't stop being successful because of end of this series, the strips continued, and there would be at least a few more years of CBS getting specials for Peanuts.
This show did end up in reruns later on. It ran on Nickelodeon under the bad title of "You're on Nickelodeon, Charlie Brown" this was the era of Nickelodeon that when they got reruns to "Pinky and the Brain" they stuck their logo in the intro because that sounds sane. It also ran on other channels for a while as well.
It did take some time for another Peanuts TV series affair came out until the also named "Peanuts" series from a French animation studio and network. They made a series that you know Charles Schulz isn't alive because of that title, that went was also a series of shorts done very much in comic strip style, taking comic strips and put them in motion. It wasn't bad, but wasn't strong or good either. The idea was somewhat more limited in scope and felt like something you'd air between shows on a kid's channel, like one short then back to "Ben 10".
When Peanuts made a deal with Apple for the Apple TV Plus streaming service they ended up making a new series called "Snoopy In Space" which was an educational series that would be for STEM focus something something that came out in 2019. Then in 2021, They created "The Snoopy Show" which is also a bad title. That series decides to go with a problem many current (written in 2025) Peanuts media does go really hard with Snoopy and seemingly skewing younger in target. It's not a bad series, but does feel a little too off to be Peanuts. They also made a series called "Camp Snoopy".
It is interesting to kind of see that Peanuts didn't have a long run as a series. In terms of comic-strips becoming animated shows it does depend. I think Garfield and Friends probably is the strongest one, with maybe Dennis the Menace the 1980's series, and the funny thing about that one is Dennis had a live-action series first that ran longer than the animated version. "For Better for For Worse" tried a series, that didn't last long, same with even "Big Nate". (Different factor for that latter) One would think that Peanuts would have had a better success. Maybe the specials model fit it best, telling stories at different times , instead of a weekly series.
I do think this series is good because again it does bring the fun of Peanuts to the screen and allowed for shorter stories to be brought out. It pretty much is an animated version of the comic strip, but nothing about it seems half done or bad, everyone put as much work into how this looked and sounded as they did with the specials.
That's it for now, tune in next time when we have a party with Charlie Brown and Snoopy, then Snoopy gets a hangover.
Thursday, June 06, 2024
It's A Lookback, Charlie Brown: What Have We Learned, Charlie Brown (Re-Write Edition)
Thursday, February 22, 2024
A Charlie Brown Watch: "Snoopy Presents: Welcome Home, Franklin"
Thursday, August 24, 2023
It's Another Special, Charlie Brown: One Of A Kind Marcie
Thursday, August 18, 2022
A Charlie Brown Watch: Lucy's School
Thursday, May 12, 2022
A Charlie Brown Watch: To Mom (and Dad), With Love
Thursday, April 28, 2022
A Charlie Brown Watch: It's The Small Things, Charlie Brown
Thursday, March 24, 2022
It's a Lookback, Charlie : It's the Girl in the Red Truck, Charlie Brown (Re-Write Edition)
Tuesday, December 28, 2021
It's a Lookback, Charlie Brown: For Auld Lang Syne
Thursday, August 19, 2021
A Post About Charlie Brown, Charlie Brown: Scotland Bound, Charlie Brown
"Life's not really about what you wish were happening. It's about what is happening.--Nell
We get to meet Nell's family's farm with Coos, which are like hairy cows. I like how Lucy takes a liking to the creatures, it shows her sentimental side that's not seen too much and I'm glad they had that in this story. There are some fun jokes and gags that'd you expect in Peanuts, but I'm happy the didn't do a football gag or something we'd expect.
They go to different things like Lucy's golfing at St. Andrews (Peanuts characters have that power to visit exclusive golf clubs), then seeking out Loch Ness Monster. There's a sweet moment of them thanking Charlie Brown for the fun trip, before something goes wrong, weirdly it's a Linus reason not a Charlie Brown reason. Linus thinks he saw the monster and gets too excited and cause the boat to fall over. They are safe, but Schroder's piano is ruined. He feels stressed about using a real piano for the show but he gets some encouragement thanks to Lucy which provides another great moment.
Charlie Brown who has been very confident this whole thing is up next, and he presents his poem (he's even wearing a kilt) and finds a creative way to present his poem to make it work out for him and the audience. It was creative and a cool tie in from an earlier scene.
The story ends with Charlie Brown back at home writing to Nell, and now I want a sequel.
The art work is befitting a Peanuts media. The coloring and shade allow things to pop out well and provide a nice feeling of warmth when needed. There's also the classic feeling of Peanuts Sunday comics (since it's in color) with the simple backgrounds, but the detailed stuff is well done. The character expressions are well done and bring out their emotions.
"Scotland Bound" is a great novel, I kind of would love to see it be animated as a special, it's a great story and a fun ride.
This was pretty fun to read, and I'm kind of sad that it wasn't a special, maybe they should get on that. There's some good stuff with Scotland in it with out it feeling stereotypical , minus Loch Ness monster stuff, but you know. It's all the great fun of Peanuts well told in a great story.
That's it for now, tune in next time when the Peanuts go to Wales.